from this week in February, 1974 (I was 29)
During Lent, Gas Line
I’ve exhausted my supply
my energy’s been drained
my engine stands cold
there’s no gas in the tank
a procession of autos
kneels at each station
Supplication
Daily poetry and journal entries from the past 50 years, each from this same date.
I don’t write in a journal everyday, but I have accumulated many entries over the past 50+ years beginning in 1966. Some items evolved into longer works. Among the leftovers little pieces survived. I thought a collection of these with a piece culled from the same date in a past year would make an interesting yearbook. The consistencies and inconsistencies of mind, skipping back and forth across time, provide varied perspectives. It is difficult to remember the context of the past we’ve lived; we also make suppositions about times that predate ourselves.
The few alterations from original drafts were to improve clarity. The worst of my work is not included. There remains enough mediocrity and immaturity to make me feel humble and you feel smart. There are also moments of accidental insight and incidental humor.
Author Stephen Crane referred to his little pieces as pills…apparently they were small and somewhat hard to swallow, but good for you.
Comments Welcome!
from this week in February, 1974 (I was 29)
During Lent, Gas Line
I’ve exhausted my supply
my energy’s been drained
my engine stands cold
there’s no gas in the tank
a procession of autos
kneels at each station
Supplication
from this week in January, 1974 (I was 29)
The Smoking of the Universal Joint
The dip stick was dry
and there was oil all over hell
I was a defeated man
so I left it there down at the garage
I went to Ben’s for a beer and a pepperoni
sat on the bench in front of the store
Windy as hell too blowing dust
The damn thing smoked like hell
The mechanic was the garage owner’s son
overworked and pissed off
He could bury it for all I cared
Damn rolling jail
December 27, 1974 (I was 30)
Swirls of snow
powder the air of Cold Mountain
From my breath crystal mist
obscures and reveals
Blurred vision clears the mind
thought vapors enhance the image
the moon illuminates the wind
scatters light over the crags
April 29, 1974 (I was 29)
That time
the train stopped at this unfamiliar station
(whose name we have already forgotten)
we stepped onto the platform
Through the transitory depot
we entered the stationary world again
But by this time we understood the subtleties of travel
We knew the lies of relativity
so we laughed at vehicle trees
In fact that thought remains most vividly
connected to our arrival-
vehicle trees
We are settled now into summer
What was apprehension is confidence
We are secure and we cannot be intimidated
There are no nightmares there is no darkness
The neighbors are polite they admire our garden
We’re giving all our money to the poor
The weather is amorous and the beach is secluded
We wonder now why it took us this long
Though the oaks have slowed
they remain reminders of our
recent travels
March 12, 1974 (I was 29)
Spring Training in the Bush
That man in Canada did not die
With the bayonet at his throat
He turned and ran weaponless
Sliding across the border like stealing second
We’ve been hitless ever since
Still we blame the stranded runner
Most of our hitters got drafted
Some signed heavy contracts
How many outs we got?
Still no score
Maybe we could’ve won with more like him
Bunt and run men
Give him the sign
In the end it don’t matter whether you struck out
Or whether you were thrown out at home
February 21,1974 (I was 29)
1 Finger Exorcise
I am so comically alive
I wonder seriously how
I survive I’m possessed
I’m teeming with inept imps
I swear everyone limps
I can’t be blamed
I haven’t been the same
It’s those imps
those maniac monkeys
who take over and there’s nothing to do
They’ve got you
Living possessed
like you’ve never been blessed
those screamers make a laugh out of you
Those devils whose revels bevel the spirit
Boredom or passion
whatever the fashion
they howl you ashen
What the hell
can’t you tell
It’s the imps
It’s gotta be the imps
you know it’s the imps
What else could it be
but the imps
February 14, 1974 (I was 29)
Driving spikes
with strong strokes
sinking steel into good wood
Driving spikes
arm hand hammer
current flowing through the muscle
Driving spikes
each reverberation
sets the next stroke
Setting spikes
speed the likes
of which you’ve never seen
Hitting nails
into rails
striking mechanical chants
Vision focused
arcs defined
strong stood stance
February 10,1974 (I was 29)
straw
The grass on the hillside is tender
the small flowers make their annual proclamation
insects are flying in tandem
The sun opens every pore
releases every fertile fragrance
birdsong fills the canyon
Ignorant man is ignored by nature
the significant ladybug walks along the blade
The bird chorus (so beautiful various and new)
will not be interrupted by a distant car starter
that will not will not start the car
or by the small piston plane sucking air in
to snuff it out again
Both are soon lost in the unconscious melody
and the silent motions of flight
So why have I not renounced my own noise
I take no lasting joy from the mountain
I have mechanical commitments to my own devices
and I am not a bird
January 4, 1974 (I was 29)
Soft fallen weather
we stroll now upon the air
feet lost in feathers
December 6, 1974 (I was 30)
Upon the teachings of Pulin Garg
Accept other perceptions of the self
I am this and more
I am the asshole you perceive
and the saint my mother knew
I accept the personage of honest perception
without reservation or obligation
The free ego continues to select its roles
*
Walking through Sather Gate
I saw a beautiful young woman
approaching me directly
I stepped up to her
put my arms about her
and kissed her on the lips
suddenly she said
oh you have ruined my experiment
What experiment?
I was advancing straight toward men
counting how many would pass on the right
and how many on the left
but you came straight ahead and kissed me
December 1, 1974 (I was 30)
Chè Discharges the Minister of Literature
Revolutionaries have always needed poets
someone to leave the honest hills
a missionary of hope, a distant victory
lungs filled with oxygen beyond this quick breath.
An assignment of rediscovery -consider it-
somewhere beyond dysentery and that distant hill
to know again how it is we are here
among so many strangers so close to home.
November 21, 1974 (I was 30)
Before this
the wind blew straight down.
Hairstyles changed.
Some wondered when it would blow up.
The sheep didn’t care
the wool was over their eyes.
Skyscrapers? Banal.
Who could look up?
The wind blew straight down;
we couldn’t lift the manhole covers.
Airlines were suddenly grounded;
stocks fell.
The waters were calm.
Sir Edmund Hillary was called a cheat.
Some old folks were caught prone.
How long can this keep up? became the joke.
The wind blew straight down.
It seemed like it would happen forever,
yet here we still are.
I never ate so many potatoes.
I never realized Newtonian physics
could be so ethereal,
and I hadn’t believed
chaos could be so quickly accommodated.
November 12, 1974 (I was 29)
You and me we
aint the kind
called a credit to the race
are we
Most don’t look
and none of ‘em hear
They don’t know and
we could care
could we
It’s not the same
the world’s changed
We stepped out and they
say we fell behind
but we didn’t did we
We been there
and we oughta know
if anyone does
We seen it heard it touched it
Hell I even tasted it
but they never been anywhere else
have they
We’ve thrown out
more’n they ever brought in
You know this better’n me
I don’t need to tell you
I’ve seen it in your eyes
the way you walk
I can hear it in your voice
A lot of them had it easy not us
We paid our dues together
and people like us
we’ll be together to the end
won’t we
November 7, 1974 (I was 29)
Magicians
1
Formulae are not magic;
precise measurements are made in the corroded kitchen
(the technicians are clean but their chemicals corrode).
Precise measurements produce the desired compounds.
The automated scientist makes the right moves
and molecular orbits are reordered,
routine practiced and polished.
2
The truth of routine is extended lie;
it does not have a day one.
Its deadly infinity is both linear and circular;
repetition becomes a subtle puzzle,
a rubber stamp applied with random force,
the jigsaw continuity of separate reality,
ink arranged in capillaries.
3
Magic is the end not the means.
The result of the experiment is predetermined,
the eye becomes a caliper, the hand a scale pan
the ear a syncopated metronome.
The tuned performer is in harmony with the performance;
the volunteer is levitated
but it’s the magician who feels like he’s floating.
4
After awhile there are no tricks.
The wand disappears, the arc is still there,
a comet as quick as we imagine comets to be.
Sneer of cold command weathers to benign smile,
incantation gives way to chanting.
The audience is made of stone
and water and tree and cloud and stars.
October 15, 1974 (I was 29)
Long Tom,
What ever became of intellectual clarity?
It was not so long ago
that we survived all the shit going down
by understanding our ultimate righteousness.
We knew it was advantageous to be firm and correct.
Our lives were all sixes and nines.
We mused on autumn afternoons;
you knew about Sufism and dervishes and Essenes,
and I knew about Emerson, Thoreau and Ahab.
We were focused on the whirl of transcendental possibility.
Now you have died privately
and I have stepped through to uncertain ground.
New ignorance is the product of old truth.
September 24, 1974 (I was 29)
Passing Time
My wife’s old aunts live
across the street from their cemetery plots
Quite a view
from the window above the kitchen sink
They already live in trailer homes
Actually quite spacious they say
as one washes and the other one dries
They walk over there everyday
It’s good exercise they say
and they are nothing if not ordered and regular
It’s not sad at all barely poignant
Rather efficient emotionally speaking
I can admire that
I’d like to be buried in a hole
convenient to the digger
I don’t like fire or cold water
but I wouldn’t complain
if they took my ashes to the ocean
and threw them in there
September 19, 1974 (I was 29)
Thinking About Snow After Listening to
John Chancellor Talk About Drug Research
little flakes
damn dissolving crystals
millions becoming liquid
brain fuses melting with every breath
Blizzard Blizzard lost in the z’s
ozone snow twenty below
channel thirteen all day long
cloud breath
Jack London on snowshoes
Conrad Aiken blowing about the corners
frozen lungs
son of snow
patron saint of slippery streets
sleet’s elite one
profound drifts
alive in an igloo
August 22, 1974 (I was 29)
Social Science and General Business
When I was in 9th grade Mr. Drobnik wanted to know
what a city manager was or
if you didn’t know that he wanted to know
the price of eggs in China
If you didn’t know he wanted to know
what did you know in no uncertain terms
You knew this was high school
He wanted to know specifically
how to balance a checkbook
and how much you paid for eggs in China
if you paid by check
We studied occupations then did oral reports
I learned some people laugh when you say
you are thinking of becoming a barber
so I added meteorologist to my list
Eventually I never cut any hair
and I only tell the weather if somebody asks
July 2, 1974 (I was 29)
Tenses sense nets
Tense sense send tense
Ten cents sen tence
Tense sents cnet nes
Tense scents cnet nesses
Tense cents tence nesses
Tense says ten sentences
Tense nets ten setive
Ten sense tense set
Net sense tenes set
First published in West Coast Poetry Review
QUESTIONS for an eighth- grade discussion:
What do you sense about this poem?
How much is the poem worth?
What sport is the poem about?
Why is the poem arranged as it is?
If it’s a sports poem, what’s missing?
What did Robert Frost say about poetry and tennis?
Is the poet playing with Robert Frost?
What pair of lines is the only complete thought?
What words are neologisms, words made up for the poem?
Does the poem have a main idea?
What does this poem do?
DIRECTIONS for an eighth- grade writing assignment:
1. Examine the example of “concrete poetry” above.
2. List ten sentences explaining ideas you found in the poem.
3. Write a paragraph explaining your idea of what “concrete poetry” must be
if this is an example of it.