from this week in November 1971 (I was 26)
Everything I focus on
is only a fragment
perceived by a fragment of attention
I flash
like a Picasso person
pure sense essence
without grotesque flesh
or reasonable circumstance
Daily poetry and journal entries from the past 50 years, each from this same date.
I don’t write in a journal everyday, but I have accumulated many entries over the past 50+ years beginning in 1966. Some items evolved into longer works. Among the leftovers little pieces survived. I thought a collection of these with a piece culled from the same date in a past year would make an interesting yearbook. The consistencies and inconsistencies of mind, skipping back and forth across time, provide varied perspectives. It is difficult to remember the context of the past we’ve lived; we also make suppositions about times that predate ourselves.
The few alterations from original drafts were to improve clarity. The worst of my work is not included. There remains enough mediocrity and immaturity to make me feel humble and you feel smart. There are also moments of accidental insight and incidental humor.
Author Stephen Crane referred to his little pieces as pills…apparently they were small and somewhat hard to swallow, but good for you.
Comments Welcome!
from this week in November 1971 (I was 26)
Everything I focus on
is only a fragment
perceived by a fragment of attention
I flash
like a Picasso person
pure sense essence
without grotesque flesh
or reasonable circumstance
from this week in November, 1971 (I was 27)
Everyday that man wandered in the woods
and he watched all that happened there
but especially the leaves which fell in time
and broke brown upon the ground
He did not know what to think of this
Some leaves drifted others dove
That man watched while seated on a rock
Reasons are alien to my comprehension
he said to himself as he watched the fall
And each day that man wandered from the woods
with bare limbs and leaves left still behind
September 21, 1971 (I was 26)
Cabin 89 Sunol
There’s something about wood
that makes me feel good
Walls stained only with age
ceiling and beams
exchanging breaths with me
open and receptive
rather than painted reflective
I believe they release energy
to make room for mine
and what I breathe of them is fine
old images mellowed myths
fit for ballads sung with lutes
secure fables from the past
Truths lived here seem to last
July 22, 1971 (I was 26)
Misunderstanding your soft shape
under thin summer blanket stirring
and the delicate murmuring dream
into which I so easily slipped beside you,
my smoothest hand
drifted across the cover of your possible curves.
I believed the cooling lie
of my warmth against your thigh
and breathed your rhythms in colored currents
flowing from each sigh.
Then as the first bird called warning
into some distant morning,
you turned to deeper sleep
and I turned to philosophy,
hand stroking cheek unshaved this week.
July 17, 1971 (I was 26)
That man climbed his mountain
with a prayer for a pack
and the peak rising in his eye.
He walked easily, rested where he sat.
On the first night he exhaled poison
resolved to be reborn every moment
and gravitated toward universal sleep.
Ascending winds of space cooled his feet,
rose with him up cold stones
to unconscious climbs,
each step exhaling past moment,
each moment a frozen blossom.
And as he breathed his sacred hum
under stars bursting from pulsing darkness,
the third day dawned on the summit
hot to melt his tingling skin.
Echoes of his roaring essence
entreated admission for his presence.
And as he viewed the peaks below
the mountain let him go,
finest powder with wind and snow.
July 14, 1971 (I was 26)
Tom Taken
Cross-legged on the porch at dusk
surrounded by trees and even the sky is green
Just now got the point of a thick joint
A jay informs me and leaves
air so soft I don’t know whether it’s wind
or trailing breath of an extended limb
Mosquitoes shoot up on my arm and ankle
Randomly I kill them or let them bite and fly stoned
Kaleidoscope of leaves and vestigial branches
Calliope of dogs music and laughter in the canyon
Meditative melt from shadow play to star show
I’m perplexed and I just don’t know
how the rest of us just go on with the flow
after you’ve gone And all of us still
taking you along
June 14, 1971 (I was 26)
poem by freak on the midway
They come to see me not by plan but by style
and their faces look so sickly
hidden behind a struggled smile
Betrayed by Curiosity hurriedly they pass
and I try to show them a soul
with my face pressed against the glass
They follow the call of Calliope out the canvas door
and they forget the wasted ticket
lying on the sawdust floor
I sit alone again now in my corner of the zoo
and wonder if there is anything more
a freak can hope to do
-written two days later…
I went to the carnival today
first time in awhile
I even walked the midway area
and was attracted to a side show
IKON THE INCREDIBLE
An Electrifying Emotional Experience
it said and I paid my money and went in
Pitch dark
and there was a hairy guy
huddled in a glass box staring back at me
and I didn’t know what to do so I left
The sun made me squint
and I felt somewhat hollow
and people were looking at me
like I looked at him.
February 22, 1971 (I was 26)
Winter Evening in Kilkare Woods
The sun is set below my sight,
I shiver in the half chill of half night.
The leaves of trees and grass are wet,
silver coated in the cold.
The sky reflects an empty mirror;
the wind makes haunts of dog howls.
Oaks grow gray and twisted as martyrs
beneath the Eucharist Moon.
from this week, 1971 (I was 26)
(for Sandra, while modeling)
nude poem #1
Line and form
from surface and substance
Drawing a nude is a process of elimination
and another of translation,
Look and what is it?
get it out
or get it down
nude poem #2
Body bulk demonstrated
mass of flesh and gravity
underscored
nude poem #3
When does the student become artist?
When does he legitimize the model’s nudity?
When does a zen koan have answer?
nude poem #4
All my poems are nudes
and some of them have names
separate from their parts
or gestaltic sum of them
I have defined for you
feet shoulders and forearm
but you see only thighs
and utter praise of my substance
I have posed forms
athletic graceful and constant
but you see only a reflection
of your own transient sensuality
nude poem #5
How you sit there
feigning unaware
just as I ignore
all I knew of you before
to turn your body into words
Out the window
night birds cut your curves in air
October 12, 1971 (I was 26)
Art’s Event in Shallow Water
Arthur Octopus has got
all these tentacles which extend
out and over around and about;
one carries burning torches
one orders all it touches
one flexes all it’s muscle
one drifts on every current
one probes to break the surface
one buries the dead
one counts the other seven
and one strokes his jellied head.
October 3, 1971 (I was 26)
war god
I was sitting on the hill
breathing my fill
and the kids in the canyon played war
They chose up their factions
and described war contraptions
from fragmentary shells to flame throwers
They gladly died un-terrified
resurrected bad and power mad
until with ironic thought I picked them off
from where I sat each one of them
laid to peace just like that
September26, 1971 (I was 26)
Last Night September rain
began to launder the trees.
They will shrink, fade and run,
lose leaves like buttons.
The cold clotheslines are bare,
we hide our bodies in thicker coats,
play ballads on the phonograph,
the tragic refrain in the air.
May 18, 1971 (I was 26)
My great great grandmother
used to talk to any snake
who’d come wandering through the grass
Times have changed a great deal since then
but not at all my great great grandmother
Let some old rattler come up shaking his tail
like a kid tapping a penny on a candy counter
and it don’t faze her a bit
She just stands there with her hands resting lightly
on her hips and says “What do you say snake?”
and like or not the snake tells her something
My great great grandmother says
there’s a lot to be learned from snakes
I guess I take after great great grandpa’s side
I never heard one tell me something useful yet
and a lot of people I hear
don’t pay snakes any attention at all.
April 6, 1971 (I was 26)
Revolution is a bomb and a prayer
that something anything at all
will be there once the smoke clears
Bombs are that way it seems
Planning ahead of them
is like trying to live off tomorrow’s dreams
If the times are bad, the situation intolerable
tell me that without a promise
Say only What the hell let’s rebel
March 27, 1971 (I was 26)
for WCW
I was arrested
in the woods
smoking a joint
and reading poetry
I do not think
I’d have been arrested
had I not been reading poetry
March 23, 1971 (I was 26)
Do you suppose
everyone prowls around like this-
clandestine chemist
discovering ingredients at every encounter
Each time testing circumstance
with a taste or a swallow
and a lot of waiting eagerly
for the metamorphosis to follow
And do you suppose
we all worship within-
kneeling in our sepulchers
to the one true god of self
and chewing our nails the while
with a taste or a swallow
and a lot of waiting eagerly
for some real Messiah to follow
from this week in February 1971 (I was 26)
Young Poet
There was a time he could not hold a thought
together long enough to make much difference
Day passed upon daily poem of 7 or 8 lines
and each of those only echoes of the others
The nowness of now and thenness of after
occasionally lost in a myth of careless laughter
He had lost the overview of time’s continuum
or had given it up for a longer look at the moment
and still he found far too much to see
trying to decide whom he ought to be
Finally resolved that all was all
he considered these choices:
1) a life of arbitrary resignation
2) scoff at the absurdity
3) gather more evidence
4) hide from the fact
Realizing he might have time to choose all or none
he began doing number four for now
from this week in November 1971 (I was 26)
Everything I focus on
is only a fragment
perceived by a fragment of attention
I flash
like a Picasso person
pure sense essence
without grotesque flesh
or reasonable circumstance
from this week in November, 1971 (I was 27)
Everyday that man wandered in the woods
and he watched all that happened there
but especially the leaves which fell in time
and broke brown upon the ground
He did not know what to think of this
Some leaves drifted others dove
That man watched while seated on a rock
Reasons are alien to my comprehension
he said to himself as he watched the fall
And each day that man wandered from the woods
with bare limbs and leaves left still behind
September21, 1971 (I was 26)
Cabin 89 Sunol
There’s something about wood
that makes me feel good
Walls stained only with age
ceiling and beams
exchanging breaths with me
open and receptive
rather than painted reflective
I believe they release energy
to make room for mine
and what I breathe of them is fine
old images mellowed myths
fit for ballads sung with lutes
secure fables from the past
Truths lived here seem to last