I don’t write in a journal everyday, but I have accumulated many entries over the past 50+ years beginning in 1966. Some items evolved into longer works. Among the leftovers little pieces survived. I thought a collection of these with a piece culled from the same date in a past year would make an interesting yearbook. The consistencies and inconsistencies of mind, skipping back and forth across time, provide varied perspectives. It is difficult to remember the context of the past we’ve lived; we also make suppositions about times that predate ourselves.

The few alterations from original drafts were to improve clarity. The worst of my work is not included. There remains enough mediocrity and immaturity to make me feel humble and you feel smart. There are also moments of accidental insight and incidental humor.

Author Stephen Crane referred to his little pieces as pills…apparently they were small and somewhat hard to swallow, but good for you.


Comments Welcome!

Wednesday, January 10, 2018

future movie experience


January 10, 1970  (I was 25) 

                        future movie experience
            The theater equips patrons with electronic guns.  The film
is of war from the audience point of view.  Soldier characters
comment directly and the audience answers in a dialogue that
poses questions of personal relevance to audience members. Their
answers relate to the following scenes on the screen to create the
impression that the audience chose them.  The audience must
have a feeling of camaraderie with the faction he represents, but
not necessarily devotion toward the cause. (The cause may be
vaguely or ambiguously stated.)  The audience participates in
strategy sessions, battles, ambushes even executions with
ample opportunities to use his weapon on the opposing soldiers.
In a final battle Superman (the guardian of justice!) suddenly
appears in the enemy battle lines. bullets bounce off him, and
the audience appears doomed.  At the last moment Superman
is felled by a bolt of Kryptonite from heaven.  God, after all, is on
our side. A chorus of angels sings in praise, and the enemy forces
freeze, fade, crack and burn while the camera tilts upwards (as
the eye of the audience) to perceive an eye of an otherwise
faceless figure, then tracks back to reveal many such figures,
members of an audience without bodies seemingly facing the
screen from the opposite direction. 

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