I don’t write in a journal everyday, but I have accumulated many entries over the past 50+ years beginning in 1966. Some items evolved into longer works. Among the leftovers little pieces survived. I thought a collection of these with a piece culled from the same date in a past year would make an interesting yearbook. The consistencies and inconsistencies of mind, skipping back and forth across time, provide varied perspectives. It is difficult to remember the context of the past we’ve lived; we also make suppositions about times that predate ourselves.

The few alterations from original drafts were to improve clarity. The worst of my work is not included. There remains enough mediocrity and immaturity to make me feel humble and you feel smart. There are also moments of accidental insight and incidental humor.

Author Stephen Crane referred to his little pieces as pills…apparently they were small and somewhat hard to swallow, but good for you.


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Monday, April 18, 2022

notes for The Poetry Class, day 39

 

April 18, 1976  (I was 31)

 

                  notes for The Poetry Class, day 39

         The period was given over to a tangential topic.  I explained

why I hadn’t read the four notebooks I had taken home last night.

I said a friend asked me to accompany him to the Alameda County

Courthouse Lock-up to visit one of the prisoners who was due to be

sent to Death Row, San Quentin.  I described the courthouse building,

the disinfectant odor of its polished hallways and the apprehensive

atmosphere of the visiting process.  I talked about the elevator ride

to the twelfth floor, the officially courteous guards, steel walls, viewing

slits, cell-like cells, echoes, the tinny sound of the visitor phones. I

told them of the crime of the prisoner I visited –pushing a guy off the

San Mateo Bridge after a drug deal gone bad. I described some of

the other visitors there.  I mentioned the victims and the sense of

depression and tragedy.  When I asked Rick if he met any prisoners

whose cases he had read about, he pointed out Eldridge Cleaver three

feet away at the next phone.  Cleaver leaned over for a look through

our view slit.  On his white overalls he had inscribed HELP in marking

pen across his right breast.  Rick said many prisoners wrote prison

poetry and he was a captive audience.

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